![]() Scales have proven to be important in the analysis of folk music and the music of nonliterate cultures, but scholars have been obliged to deduce the scales through a study of the actual music, since the creators of the music were not cognizant of scales as theoretical concepts. In general, the simplest scales can be found in very old music and in the music of nonliterate cultures, while the most complex scales occur in the world’s most advanced cultures. The scale of a single piece of music may therefore be characteristic of the tone system of a whole culture. Other aspects of pitch usage in music-such as range (distance from the highest pitch used to the lowest), emphasis placed on certain pitches, or the simultaneous (harmonic) and successive ( melodic) occurrence of tones-do not alter the identity of the scale, although they may be essential in describing its function.Īlthough the number of different scales that can be formulated is theoretically nearly infinite, particular scales tend to become conventionalized within any given culture or musical tradition. ![]() The interval relationships among pitches of a scale are its essential feature, and a particular pattern of intervals defines every scale. The specific selection of different tones in any piece of music generally reveals a pattern of relationships among its pitches that can be expressed as a series of fixed distances ( intervals) from one pitch to another within the span of an octave. Scale, in music, any graduated sequence of notes, tones, or intervals dividing what is called an octave.
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